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Where Do I Go? coincides with the 50th anniversary of the start of the Lebanese Civil
War. Through intimate portraits of women photographed across Lebanon, Matar
explores themes of identity, memory, survival, and belonging in a country shaped by
conflict and uncertainty.
The title comes from Arabic graffiti Matar discovered on a damaged wall inside an
abandoned building in Lebanon. The phrase — “Where do I go?” — became a central
question throughout the project, reflecting the emotional reality faced by many
Lebanese people today.
Matar, who left Lebanon during the civil war in 1984, sees the work as both deeply
personal and universal. The photographs connect her own experience with a younger
generation of women now confronting many of the same questions about home,
displacement, and resilience.
Originally trained as an architect, Matar carefully uses the built environment as part of
the emotional language of her images. Many photographs were made in abandoned
hotels, theaters, and damaged modernist buildings throughout Lebanon. In these
spaces, her subjects reclaim places marked by history and loss with strength, beauty,
and presence.
The exhibition includes photographs made in locations such as the former Holiday Inn
in Beirut, the Piccadilly Theater, and sites affected by war and economic collapse.
Rather than focusing on destruction alone, the work highlights endurance, human
connection, and hope.
The opening of the RKG x SEA-DAR Project Space represents a major new
contribution to Boston’s cultural landscape and reinforces the city’s role as a center for
photography and contemporary visual art.
The exhibition is presented with support from Adjective Art & Framing and Leica Gallery
Boston.