Alan Michelson, The Knowledge Keepers (2025)

Western artists have frequently depicted Indigenous subjects as exotic, anonymous figures frozen in time and represented in poses of subjugation, violence, or reverie. By contrast, Alan Michelson’s The Knowledge Keepers represents two contemporary local Indigenous cultural stewards, Aquinnah Wampanoag member Julia Marden and Nipmuc artist Andre StrongBearHeart Gaines Jr., posed in dynamic gestures of public address. Michelson’s project is the first in a new series of sculptural commissions for the MFA’s Huntington Avenue Entrance, where contemporary artists engage the site in all of its complexity.

Cast in bronze and gilded in shimmering platinum, The Knowledge Keepers pays tribute to the Northeastern Woodland nations’ reverence for copper, crystal, shell, and silver, materials treasured for both their physical and metaphorical luster. Platinum, with its resistance to corrosion, chemical stability, and role in advanced electronics and spacecraft, translates that tradition into the future.

Marden, an artist and specialist in twining, crafts all of her own regalia. She raises an eagle feather fan in a gesture of honor. Gaines, an Indigenous activist, public speaker, and builder of wetus (traditional homes) and mishoonash (dugout canoes) reads from a page of text in the classical pose of an orator. Michelson’s selection of them as models emphasizes their roles as cultural models. By extension, The Knowledge Keepers seeks to honor and celebrate the beauty, presence, agency, and endurance of the Indigenous nations of Massachusetts.